Monday, December 31, 2007




        . . . to you, to do with what you will.
        Also (I can't resist the lure of Google) something F.Y.I.
        Time enough for NEWS later, for now take a minute to
        enjoy reading how our present evolved from the past.
        Dear Joe,
        My wish for you in 2008 is nothing less than the following:
        A sponge that your house may always be clean. A loaf of bread that there will always be food on the table. Sugar that there will always be sweetness abounding.
        And salt that there will be some spice in living.
        The light from the Winter Solstice bonfire may light your path through the darkness.


      The Winter Solstice Festival
      by Tony Palermo

      Everybody knows that in December, people celebrate Christmas and Hanukkah (and now, the newly minted African-American holiday, Kwanzaa),  but how many realize just how closely related these different celebrations are?  There's a bit of controversy lately about "Happy Holidays" versus "Merry Christmas" but these supposedly separate celebrations are actually connected to the Winter Solstice. As metaphors they remarkably share a message thousands of years older than their respective religions. Furthermore, the explanation for these similarities is more Ice Age than New Age.

      What's a solstice?
      First, let me explain the solstice; From June to December, the number of daylight hours gradually decreases. In Los Angeles, in June, I get a daily dose of 13 hours and 30 minutes of daylight. By December 21st, it is down to 9 hours, 45 minutes of daylight. Today, we know this decrease has to do with the angle of the Earth in relation to the Sun. Not to get too technical, but the Earth's axis has a 23-degree tilt--it's not level like a toy top. As the planet revolves in its year-long cycle, that tilt causes parts of the globe to be closer to or farther from the Sun. This distance and the way the sunlight covers the Earth creates our seasons, so winter in the Northern hemisphere is summer in the Southern hemisphere and vice versa. To modern man, armed with this scientific knowledge, the Winter Solstice isn't much, but it used to be a very big deal.

      Thousands of years ago, people noticed the days getting shorter and the sun traveling lower in the sky. They were alarmed. Many thought this was the end of the world. In Northern Europe at Winter, there would be up to 35 days without any glimpse of the Sun. As the Sun waned, people saw everything dead and dying. Without sunlight, there would be no plants, no animals and soon, no humans. In the spiritual realm, many thought the darkness brought out ghosts, trolls, and evil spirits. It was frightening. Imagine our modern world experiencing a 35-day eclipse!

      In the Northern Hemisphere, the Winter Solstice occurs every December 21st. It marks the beginning of winter and is the shortest day of the year, but more importantly, it marks the point where the number of daylight hours begins to increase.

      In Ireland, Newgrange is a huge circular stone structure similar to Stonehenge. Newgrange is a marker for the Winter Solstice. It is built to allow a shaft of sunlight to penetrate its central chamber only at dawn on the Winter Solstice--a giant celestial clock, built over 5,000 years ago. To put it in perspective, please note that the Egyptian pyramids are only 3,000 years old. Hopi and Pueblo Indians in pre-historic America constructed similar structures called kivas. Throughout the world, ancient peoples marked the solstice and were reassured that daylight would not end.

      Solstice means "the Sun standing still." It signaled the return of the Sun and gave hope to early man. This was a cause for celebration and much of our winter holiday comes from solstice festivities--many aspects of which are related to fire and light and the rebirth of hope. Solstice festivals have been observed around the globe throughout history.

      The re-birth of the Sun
      Some 4,000 years ago, the Egyptians and Syrians celebrated the Winter Solstice as the "birth of the Sun." The Egyptians even depicted the new-born Sun as an infant whose mother was the great goddess called the Heavenly Virgin. The priests would emerge from shrines at midnight on the Solstice to shout, "The Virgin has brought forth!  The light is waxing!" Two thousand years later, this story was adapted as the birth of Christ, with Jesus replacing the very similar Persian Sun god, Mithras.

      So why is the solstice on December 21st and Christmas held on December 25th?

      The New Testament specified no date for the birth of Jesus, so about 366 C.E., the Roman empire state church selected December 25th--the Roman calendar's Solstice--which was already a traditional "God's Birthday" across the empire for the many religions it contained. Having Jesus born on the Solstice also lent him credibility. It helped convert pagans to Christianity, since the new god was a version of their old god (Mithris, Saturn, Mordoc, Horus, Sol, Apollo, Osiris, etc .) Of course, this similarity to other gods of light and eternal life is truer than most Christians realize.

      Hanukkah too!
      The Jewish rabbinical holiday of Hanukkah is another Winter Solstice celebration. Hanukkah commemorates the rebuilding of the Temple after Judah Maccabee defeated King Antiochus. A menorah was found, but there was only enough oil to keep the lamp lit for one day--miraculously, it lasted eight days! The Hanukkah "festival of lights" is clearly a metaphor for the Solstice's lengthening of the light--the return of the Sun. Few Jews recognize the connection between their holiday and the pagan Solstice festivals or Christ's birthday.

      Everyone has so focused on the literalness of the events (menorahs, divine births) that they fail to see through the metaphors to the truly cosmic relevance of the Solstice. The Sun god and menorah miracle derive from the Solstice, and on one level signify ancient man's need for the Sun to survive, but these symbols of light predate either religion and have a deeper spiritual message--they symbolize life after death.

      Light = Life
      The story of Jesus presents this Solstice metaphor particularly well. Christians celebrate Christ's nativity as a rescue from the darkness of the Fall of Man (Adam and Eve, the apple, etc.). The Catholic interpretation is that after banishment from the Garden of Eden, the souls of  the dead cannot go to Heaven, but must wait in Purgatory (a/k/a Limbo). It required a savior to allow those souls into Heaven. Christ is the savior providing a "way" for all to enter Heaven after death.

      The Solstice provides hope for the rebirth of Spring after the "death" that is Winter--in other words, life, in this world, and Christ provides for a rebirth in the next world. However, over the millennia, people stopped interpreting their religions metaphorically and instead began seeing them as historical events, holy in themselves. This obscured the connections to the Solstice, but they can easily be uncovered again. Take the Christmas tree, for example.

      A Judeo-Christian-Pagan Rite
      As Christianity spread, it appropriated many pagan symbols, most of which are no longer seen as metaphors. Pagan Romans brought evergreens into their homes for Solstice celebrations. Like the Solstice's promise of Spring-time, evergreens symbolized immortality--they don't turn brown in Winter. These became the Christmas trees of Europe and connect to the immortality promised by Christ. Christmas tree ornaments are stand-ins for the apples Northern European pagans tied to trees to remind themselves that the life giving Spring and Summer would return.

      The pagans also placed candles in the branches of their trees, similar to the Hanukkah menorah and hearkening back to the Solstice bonfires and Yule logs of everyone from the Ancient Egyptians and Greeks, to the Druids and the Norsemen. The Christmas tree is far more pagan than Christian and directly tied to the Solstice--although it also echoes the Tree of Knowledge in the Garden, and the Cross, but those interpretations came later, as justifications for these obviously pagan symbols. The use of holly and mistletoe are similar borrowings from pagan Solstice festivals.

      The Santa Claus Angle
      So too, has the character known as Santa Claus been merged into the Christian celebration. Many pagan cultures had a character who would visit at the Solstice to bring gifts. A Yule elf with magical reindeer was one such being, clothed in the traditional red, black, and white costume--the colors of life, death, and rebirth.

      "Old Nick" was a Danish sea god, and the early Christian bishop, Saint Nicholas, was attributed a power over storms and possessed a magic cauldron to resurrect the dead (a power both very pagan and also Christ-like). The visitor came at night and left gold coins in stockings and shoes. In the Netherlands, he was called "Sinter Klaas"--a name later Anglicized to "Santa Claus." The old Danish gift-bringer known as Julemanden has elves as helpers, arrives in a sleigh drawn by reindeer and sports a sack of goodies on his back.

      Santa is most famously portrayed in the anonymous early 19th century poem "A Visit From Saint Nicholas," popularly known as "The Night Before Christmas." Santa Claus appears totally of pagan origin. Charles Dickens' "Ghost of Christmas Present" from his "Christmas Carol" story is clearly another version of this Santa character--right down to his jolly laughter.

      The Real "Real Meaning of Christmas"
      Some people bemoan the modern celebration of Santa Claus and gift giving as straying from "what Christmas is all about." To them, Santa Claus is an interloper crashing the celebration of the birth of Christ. But if you see the two characters as manifestations of the Winter Solstice, they are very closely related. Like the return of the Sun, both Santa and Jesus Christ are gift givers with miraculous powers whose coming is hoped for and celebrated every year at the Solstice.

      Christ was considered the son of God, but also God, himself. Traditionally, God and Santa Claus are both depicted as wise old men with white beards who know if people have been bad or good and judge them--dispensing or withholding gifts. Those gifts could be a toy, another good harvest, or life after death. If you are bad, Santa Claus brings you a lump of coal. If you lead a bad life, the Christian God sends you to Hell, the land of coal. But don't fret, because, doesn't coal produce light when lit?  And light is what the holiday is really all about--a light of redemption, another chance.

      In ancient societies, light meant life--without it, there was none. The light symbolized the afterlife, Heaven, Valhalla, Nirvana, Happy Hunting Grounds, even reincarnation. Today, people who have had near-death experiences report seeing a bright light. The Winter Solstice marks the re-birth of the Sun. The return of light means there is always hope. And our celebrations validate faith. Believing in Santa Claus is no child's deception, no more so than believing in God is an adult's deception. They are both articles of faith.

      The shared message of the solstice festivals of Hanukkah, Christmas, and Kwanzaa--that life will go on--is more universal than their Jewish, Christian, or African origins would lead you to believe. As long as there are children, there will be a Santa Claus. As long as there are people, there will be a God. And as long as there is a Winter Solstice there is the promise of life renewed. The Winter Solstice festival is the world's greatest holiday, a celestial celebration.

      From cavemen to spacemen, it's been the same festive occasion. So have a happy Solstice! Don't belittle it. When you say "Happy Hanukkah," "Merry Christmas," "Season's Greetings," or "Happy Holidays," the Solstice is what we've really been celebrating all along. They all reflect a moment of hope amidst a time of darkness. So walk into the light and shine on!
      Some other solstice links:

      The Founder of Modern Christmas
      by Tony Palermo

      Our modern Christmas celebration is only about 160 years old and can be directly traced to the appearance of Charles Dickens' 1843 story, A Christmas Carol. At the time Dickens' Carol appeared, few celebrated Christmas; few employers gave workers the day off; there were few family reunions, little seasonal charity or goodwill towards men; no Christmas turkeys, no feasts, no office parties, no Christmas trees, and not much of a jolly elf in red. The history of the holiday will astound modern day revelers who think our way of celebrating dates back very far.

      In England, before the coming of Christianity, over 1500 years ago, there had been a strong paganism. They celebrated the Winter Solstice with Yule bonfires,  feasts, and tales of ghosts and fairies. The Winter Solstice was a scary time in Northern Europe--dark days brought out fears of the end of the world and evil spirits. (See my Solstice essay above for more. ) In the 6th century, Pope Gregory I asked English bishops to merge the pagan celebration with Christ's nativity to aid in converting the populace and this cross-cultural tradition flowered for centuries.  Here were the "Twelve Days of Christmas" (December 25th to January 6th--Christ's "official" birthday), manorial feasts, feudal games, the Lord of Misrule, holly (fairy catchers), mistletoe (the golden bough) and other pagan rites, all woven into a festive/faithful "Christmas" stew.

      However, the Calvinistic puritans of the 17th and 18th centuries disdained all celebrations and especially anything related to pagan rites. Their dour fundamentalism didn't see the relation of the Yule and Nativity. America's cherished Pilgrims hated Christmas and fined those who celebrated it.  By 1800, the Puritans of England had largely reduced Christmas to a staid religious holiday--resembling the modern Easter--church and some gifts for children. This is the so-called "true meaning of Christmas," but it actually reduces the ancient Solstice festival to such a meager glory as to be miserly.

      Another factor in smothering the old English celebration was the mass migration of country folk to the cities of industrializing Britain. Uprooted from their traditions and mixed with people from all over, the newcomers' country traditions died out and Christmas was purged of jollity. By 1800, the "good old days" were gone and a solemn religious holiday knelt in its place.

      A nostalgic Sir Walter Scott recalled the ancient mysteries of the old feasts in his 1808 Marmion. American author, Washington Irving, visited England in the early 1800s and found some that still remembered the old Yule celebrations. In his 1820 Sketchbook of Geoffrey Crayon, Gent., Irving wrote of "Christmas at Bracebridge Hall" detailing the long forgotten customs of a "merrie English Christmas." These accounts contributed to William Sandys' Selection of Christmas Carols, Ancient and Modern (1833) and Robert Seymour's The Book of Christmas (1837). They, in turn, shaped a vogue for medievalism in the 1830s that hearkened to a merrier England and a society undivided between rich and poor. Movements arose to counter the Calvinists and Evangelicals' spartan Christmas and it fell to Charles Dickens to turn the Yule-tide with his short book, A Christmas Carol, in 1843.

      Dickens took Ebenezer Scrooge, a modern, puritan miser, to task for his stern practicality and disdain of frivolity and charity. Scrooge's "Bah, humbug!" regarding Christmas, was a caricature of  the Calvinist rantings. Dickens' "Ghost Story of Christmas" used memory, example and fear to show Scrooge how to really "keep Christmas"--with charity, goodwill, family togetherness, holiday, feasts, parties, and children's games. The book was immensely popular--so much so that it re-invented how Christmas was celebrated. After reading Dickens' Carol, Scottish writer, Thomas Carlyle, ordered a turkey and invited some friends for Christmas dinner. Dickens' Christmas book was translated into a dozen languages and became famous world-wide--an instruction manual for our modern Christmas.

      Nearly all aspects of the way we celebrate modern Christmas stem from the popularity of Dickens book--the feasts, office parties, games, carolers, family get-togethers, geese (turkeys), gifts. The wonderful anonymous 1822 poem, A Visit by St. Nicholas, popularly known as "The Night before Christmas," fluffed up Washington Irving's earlier St. Nick. Who in turn, was later echoed by Dickens' jolly Ghost of Christmas Present--his horn of plenty is both Santa's pipe and bag of toys. The beard, the flying, the spreading of goodwill were further popularized by Dickens' benevolent ghost. Only the Christmas tree is missing from Dickens' story, but that is because it had just been introduced to England, from Germany, by Prince Albert in 1841, and hadn't been widely adopted, yet--and wasn't in the American "Visit" poem either.

      Some people object to Dickens' Carol  for it's lack of references to religion, but they fail to see it's many metaphors. Tiny Tim stands in for Christ--Tim's crutch is his cross, his death redeems Scrooge,  his creed is  "God bless us, every one"; Marley's ghost and the chained phantoms are damned souls to whom Christ is unknown; Scrooge is a "wise man" who travels far before bestowing his gifts, etc. Dickens was too much an artist of symbol and myth to tell his story any more directly than he did. Those who can't see Christ in this Christmas story, have perhaps a bit too much fundamentalism clouding their eyes.

      Over the years, Charles Dickens' A Christmas Carol  has become a cultural-text and people only dimly recall the actual story. They think it a quaint entertainment for children--just another stray bit of folklore contributing to the holiday. Look again and you will see many of our "timeless" traditions of Christmas--all popularized in the last 150 years. Man's imagination invents a fascinating mythology that allows us to transcend our existence and Christmas is one of our greatest inventions. "God bless us, every one!"

            Seek out Charles Dickens' original story or the wonderful 1951 British film, A Christmas Carol, starring Alastair Sim. Also noteworthy is the Americanized version, the 1946 Jimmy Stewart film, It's a Wonderful Life --where a spirit shows a modern day Scrooge a terrifying vision of Christmas yet-to-come. The 1962 animated version, Mr. Magoo's Christmas Carol, is remarkably faithful to the story and boasts a great Jules Styne score. The 1984 A Christmas Carol starring George C. Scott is similarly faithful, but a bit too General Patton-esque in Scrooge's meanness--a good version nonetheless. The 1999 Patrick Stewart version is however a disappointment, due to some ridiculous visual effects (Why a tornado? Why an earthquake? Is that a heart attack or a laugh?),  and yet another depiction of Scrooge as a heartless monster--if Scrooge is so evil, how can we believe in his redemption? This is the so-called "Scrooge problem." My own 1998 radio adaptation resolves this by making Scrooge not evil, but mis-guided--a cynical, wise-cracking Newt Gingrich; practical beyond anything--spouting the virtues of workhouses and treadmills and not wanting to make "idle people" merry. His ill-humor is silenced by the memory and regret evoked by the three spirits. I also supply the graveyard with the return of the Phantoms that Jacob Marley showed Scrooge out his window--now that is enough to scare Scrooge into changing his ways--plus he is redeemed by the death of Tiny Tim just as Christ's death redeems the souls from Purgatory. It's a marvelously deep work.

            Try to forget the endless parade of bowdlerized Scrooge's in commercials, parodies, or botched retellings, most notably, the syrupy MGM Christmas Carol (1938) or  the musical Scrooge (1970), or Bill Murray's Scrooged (1988).  If you think you know the story from these travesties, get yourself to a book or video store and see what you've been missing. God save us, every one, from the Ignorance & Want of these mis-begotten children of Dickens' original fable.


        The poem, A Visit from St. Nicholas, has long been attributed to Clement Moore--a dour, kid-hating moralist who claimed authorship 20 years after the poem was submitted anonymously to a New York state newspaper.  However, lately there is a dispute that attributes the poem to child author Henry Livingston Jr. (1748-1828). The subject is covered in Don Foster's book, Author Unknown: On the Trail of Anonymous (New York: Henry Holt, 2000)

TONY PALERMO is an audio theatre producer, performer, and educator living in Los Angeles, California.
He performs professionally, conducts workshops, and produces programs for hire.
An Encyclo-Media Publication
All contents © 1996-2006 by Anthony E. Palermo. All rights reserved.
Send mail to our webmaster at:  with questions or comments about the RuyaSonic web site.
NOTE: If you cannot see the Webmaster's e-mail address in the line above, your browser may have a javascript block.

This URL:
Last modified: 12/10/06